Tag: Movie ST

Ry Cooder ‎– Crossroads – Original Motion Picture Soundtrack – GER

Made By – WEA Musik GmbH
Manufactured By – Record Service GmbH
Record Company – Warner Communications
Phonographic Copyright (p) – Warner Bros. Records Inc.
Phonographic Copyright (p) – WEA International Inc.
Copyright (c) – Warner Bros. Records Inc.
Copyright (c) – WEA International Inc.
Mastered At – Sheffield Lab Matrix
Lacquer Cut At – Allied Record Company – B-23065
Lacquer Cut At – Allied Record Company – B-23066
Pressed By – Record Service Alsdorf
Credits
Engineer [Second] – David Ahlert, Judy Last, Tony Chiappa
Mastered By – Bernie Grundman
Recorded By – Mark Ettel
Remix – George Massenburg
Notes
Made in Germany Different from Crossroads – Original Motion Picture Soundtrack – gap between price code & cat no on label.

(P) + (C) 1986 Warner Bros. Records Inc. for the U.S. & WEA International Inc. for the world outside of the U.S.

NB: The ‘Q’ in the matrices etching is actually the “a” symbol of Allied Records Company.
Barcode and Other Identifiers
Barcode: 0 7599-25399-1
Rights Society: GEMA/BIEM
Label Code: LC 0392
Price Code: Ⓤ
Price Code (France:): WE 381
Matrix / Runout (Side A): R/S Alsdorf 925399-1 AX GER 1-25399-A-SH1 Q B-23065-SH1 23 △ 12101 1-2
Matrix / Runout (Side B): R/S Alsdorf 925399-1 B 1-25399-B-SH1 GER Q B-23066-SH1 58 △ 12101 1-X 1-3

Rose Royce ‎– Best Of Car Wash (Original Motion Picture Soundtrack) – GER FP

Phonographic Copyright (p) – MCA Records, Inc.
Distributed By – Metronome Records GmbH
Lacquer Cut At – Phonodisc GmbH – 0701 886
Pressed By – Phonodisc GmbH – 0701 886
Credits
Bass – Lequeint “Duke” Jobe
Congas – Terry Santiel*
Directed By [Orchestra Direction] – Paul Riser
Drums – Henry Garner
Engineer – Baker Bigsby, Cal Harris, Leanard Jacksons*, Norman Whitfield
Engineer, Coordinator [Album] – Clay McMurray
Guitar – Kenji Brown, Melvin “Wah Wah” Ragin*
Keyboards – Ben Wilber, Mark Davis (2), Victor Nix
Producer, Composed By – Norman Whitfield
Saxophone – Michael Moore (3)
Trumpet – Freddie Dunn, Kenny Copeland
Vocals – Gwen “Rose” Dickey*
Written-By – Royce* (tracks: A2, B4)
Notes
“Car Wash” Guest starring George Carlin – Professor Irwin Corey – Ivan Dixon – Antonio Fargas – Lorraine Gary – Jack Kehoe – Clarence Muse – The Pointer Sisters – Richard Pryor – Written by Joel Schumacher – Music by Norman Whitfield – Directed by Michael Schultz – Produced by Art Linson and Gary Stromberg – An Art Linson Production – A Universal Picture – Technicolor

Im Vertrieb der Metronome

P. 1976

Release date – later in 1977 – derived from the pressing plant code.

Made in W.-Germany
Barcode and Other Identifiers
Rights Society: GEMA
Label Code: LC 1056
Matrix / Runout (Label side A): 62.081-A (0701.886 S 1)
Matrix / Runout (Label side B): 62.081-B (0701.886 S 2)
Matrix / Runout (Runout A, stamped): 0701 886 S1 320 1 A
Matrix / Runout (Runout B, stamped): 0701 886 S2 320 1 E

Ralph Burns ‎– Cabaret – Original Soundtrack Recording – GER FP

Coordinator [Album] – Lee Young (2)
Directed By [Musical Director], Orchestrated By – Ralph Burns
Lyrics By – Fred Ebb
Music By – John Kander
Vocals [Uncredited] – Joel Grey (tracks: A1, A3, B2, B4, B7), Liza Minnelli (tracks: A2, A4, B2, B6)
Barcode and Other Identifiers
Rights Society: GEMA
Matrix / Runout: 93 370 A-1
Matrix / Runout: 93 370 B-2

Vangelis ‎– Chariots Of Fire – GER

Art Direction, Design – Alwyn Clayden
Artwork – Main Titles Ltd.
Composed By, Arranged By, Producer, Performer – Vangelis
Engineer – John Walker (2), Raine Shine, Raphael Preston
Notes
Recorded at Nemo Studios, London

“I dedicate this to my father Ulysses”
There are versions where the front cover has a sticker: “Original Soundtrack zum Film “Die Stunde des Siegers” Ausgezeichnet mit 4 Oscars. 2383 602″

℗ 1981 Spheric B.V.
© 1981 Polydor UK Ltd.
Aus dem Hause Deutsche Grammophon Gesellschaft mbH.
Made in West Germany.
Printed in West Germany by Gerhard Kaiser GmbH, Essen.
Barcode and Other Identifiers
Matrix / Runout: [something scratched out] 2383 602 S 1 3 20 1D BE
Matrix / Runout: 2383 602 S 1 3 20 BG 1A . 1C
Label Code: LC 0309
Rights Society: GEMA

Various ‎– Music From The Motion Picture Soundtrack “Beverly Hills Cop” – GER

Made By – WEA Musik GmbH
Manufactured By – Record Service GmbH
Copyright (c) – MCA Records, Inc.
Phonographic Copyright (p) – MCA Records, Inc.
Phonographic Copyright (p) – Solar Records
Phonographic Copyright (p) – London Records Ltd.
Phonographic Copyright (p) – Planet Records (5)
Phonographic Copyright (p) – Mirage Records (2)
Pressed By – Record Service Alsdorf
Record Company – MCA Records, Inc.
Credits
Art Direction – Jeff Adamoff, Larry Solters
Design – Georgopulos, Imada Design
Executive-Producer [Album] – Don Simpson (3), Jerry Bruckheimer, Marty Brest
Music Consultant [For MCA Records] – Kathy Nelson
Notes
[On back sleeve]:
Manufactured in Germany by Record Service GmbH, Alsdorf.

[On labels]:
Made in Germany by WEA Musik GmbH
© 1984 MCA Records, Inc.
℗ 1984 MCA Records, Inc. except:

Track A2 – ℗ 1984 Solar Records
Track A3 – ℗ 1984 London Records, Ltd.
Track A5 – ℗ 1983 Planet Records
Track B4 – ℗ 1984 Mirage Records

Contains additonal songs that are not in the film.
Barcode and Other Identifiers
Label Code: LC 1056
Rights Society (Boxed): GEMA/BIEM
Other (Back cover, embossed non ink stamp ): [Warner ‘W’ logo]
Matrix / Runout (Side A, stamped): R/S Alsdorf 251723-1 A 3 Z 91
Matrix / Runout (Side B, stamped): R/S Alsdorf 251723-1 B 3 x 15

Various ‎– Buster – Original Motion Picture Soundtrack – GER

Manufactured By – TELDEC Record Service GmbH
Phonographic Copyright (p) – WEA International Inc.
Copyright (c) – WEA International Inc.
Pressed By – Record Service Alsdorf
Credits
Score – Anne Dudley
Notes
Ⓟ1988 WEA International Inc. ⓒ1988 WEA International Inc.
Manufactured in Germany. TELDEC Record Service GmbH
Barcode and Other Identifiers
Barcode: 0 2292-55918-1 4
Label Code: LC 4281
Rights Society: GEMA/BIEM
Price Code (France): WE 381
Price Code (Germany): Ⓤ
Matrix / Runout (Runout A side, stamped (<T1, etched)): R/S Alsdorf 255918-1-A < T 1
Matrix / Runout (Runout B side, stamped (<T1, etched)): R/S Alsdorf 255918-1-B < T 1
Matrix / Runout (Runout A side, stamped (<T1 ᴴ, etched),Variant 2): R/S Alsdorf 255918-1-A < T 1 26 ᴴ
Matrix / Runout (Runout B side, stamped (<T1 ᴴ, etched),Variant 2): R/S Alsdorf 255918-1-B < T 1 20 ᴴ

Various ‎– The Breakfast Club (Original Motion Picture Soundtrack) – GER

Phonographic Copyright (p) – A&M Records
Recorded At – Oasis Recording Studios
Recorded At – Conway Studios
Recorded At – Record One, Los Angeles
Recorded At – CTS Studios
Mixed At – Oasis Recording Studios
Mastered At – Bernie Grundman Mastering
Credits
Artwork [Art Direction] – Chuck Beeson
Artwork [Design] – Donald Krieger
Bass – Arthur Barrow, Bob Getter, Ed Alton, Steve Schiff
Drums – Craig Krampf, Keith Forsey
Engineer – Brian Reeves, Dave Concors, Michael Frondelli, Mick Guzauski, Niko Bolas
Executive-Producer [Music Supervisor] – David Anderle
Guitar – Craig Hull, Curt Neishloss, Jesse Johnson, Steve Schiff
Keyboards, Synthesizer – Arthur Barrow, Gary Chang, Keith Forsey, Steve Goldstein
Mastered By – Bernie Grundman
Mixed By – Brian Reeves, Keith Forsey
Photography – (C) 1984 Universal City Studios, Inc.
Notes
Recorded at Oasis Recording Studios, Conway Recording Studio and Record One, Los Angeles; C.T.S., Wembley, England.
Mixed at Oasis Recording Studios.
Mastered at Bernie Grundman Mastering.

Printed in the West-Germany
Tracks A4, B1, B3 & B5 are simply credited as ‘Instrumental’, no main artist is given.

Black Label Version.
Barcode and Other Identifiers
Matrix / Runout: 395 045 – 1 S 1=2
Matrix / Runout: 395 045 – 1 S 2
Barcode: 082839504515
Rights Society: GEMA
Label Code: LC 0485

Rhythm Devils* ‎– The Apocalypse Now Sessions – US

Phonographic Copyright (p) – Passport Records, Inc.
Marketed By – Jem Records, Inc.
Recorded At – The Barn, Novato, California
Recorded At – Club Front
Pressed By – Hub-Servall Record Mfg. Corp.
Lacquer Cut At – Sterling Sound
Credits
Artwork [Cover Art] – Stanley Mouse
Composed By – Airto Moreira, Michael Hinton, Mickey Hart
Consultant [Series Ethnomusicology] – Fredric Lieberman, Ph.D.*
Coordinator – Alan Trist, Jerlyn Brandelius
Crew – Billy Candelario*, Bob Nichols, David Faust, Debbie Eisenberg, Ramrod*, Steve Parrish*, Willy Legate
Crew [Protocol] – Jeffrey Boden
Design [Instrument And Manufacture] – Danny Orlando, Jim Loveless, Ramrod, Willy John Cashman
Design [Package Design] – Steven Jurgensmeyer
Engineer – Betty Cantor-Jackson, Brett Cohen, Dan Healy
Engineer [Assistant] – Bob Mathews*, John Cutler
Management [Liason] – Rock Scully
Management [Support] – Bill Graham (2), John Scher
Mastered By – Joe Castwirt*
Performer [The Rhythm Devils] – Airto Moreira, Billy Kreutzmann*, Flora Purim, Greg Errico, Jim Loveless, Jordan Amarantha, Michael Hinton, Mickey Hart, Phil Lesh
Photography By – John Werner, Snooky Flowers, Steve Schneider (2)
Producer – Mickey Hart
Producer [Associate] – Gian-Carlo Coppola
Producer [Production Assistance] – Creek Hart
Written-By – The Rhythm Devils
Notes
Subtitled: The Rhythm Devils Play River Music

Issued with custom printed inner-sleeve with credits, etc.

Recorded at Club Front, San Rafael, CA (April, 1979)
Additional recording at The Barn, Novato, CA (March 1980)
Special thanks to Francis Coppola for his inspiration
Barcode and Other Identifiers
Matrix / Runout (Side A runout, etched [STERLING stamped]): PB – 9844 – A STERLING HUB
Matrix / Runout (Side B runout, etched): PB 9844 – B HUB

Soundtrack – Apocalypse Now – GER

Record Company – Warner Communications
Recorded At – The Automatt
Recorded At – Omni Zoetrope Studios
Recorded At – Different Fur Studios
Recorded At – Club Front
Recorded At – CBS Studio Center
Mixed At – The Automatt
Mastered At – The Automatt
Copyright (c) – Omni Zoetrope
Phonographic Copyright (p) – Omni Zoetrope
Distributed By – Elektra/Asylum/Nonesuch Records
Made By – WEA Musik GmbH
Lacquer Cut At – Tonstudio Pfanz
Credits
Art Direction [Album Art Direction] – Dean Tavoularis
Conductor [Choir Conducted By] – Carmine Coppola
Contractor [Choir Contractor] – Ron Hicklin
Contractor [Singers Contractor] – Doug Kibble*
Coordinator [Music Production Co-ordinator] – Teresa Zaleska
Copyist [Music Copyist] – Chris Poehler, George Annis
Design [Album Design] – Alex Tavoularis, Dennis Gassner
Director Of Photography [Photography By] – Vittorio Storaro AIC*
Editor – Gerald B. Greenberg, Lisa Fruchtman (2), Walter Murch
Editor [Supervising Sound Editor] – Richard Cirincione
Engineer [Mixing Engineer] – David Rubinson, Leslie Ann Jones
Engineer [Omni Zoetrope Studio Assistant] – Shelley Higgins
Engineer [Recording Engineer, CBS Studio Center] – Charles Garsha*, Phil Yeend
Engineer [Recording Engineer, Club Front] – Betty Cantor-Jackson, Bob Matthews, Brett Cohen, Dan Healy
Engineer [Recording Engineer, Different Fur Music] – Emil Flock, Stacy Baird, Steve Mantoani
Engineer [Recording Engineer, Omni Zoetrope Studios] – Jim Austin*, Katharine Morton, Richard Beggs
Engineer [Recording Engineer, The Automatt] – Bill Steele, Ken Kessie, Leslie Ann Jones
Film Editor [Supervising Editor] – Richard Marks (3)
Film Producer [Co-Produced By] – Fred Roos, Gray Frederickson, Tom Sternberg
Guitar – Randy Hansen
Mastered By [Mastering Engineer] – Paul Stubblebine
Mixed By [Special Mixing Assistance] – Shirley Walker
Music By – Carmine Coppola, Francis Coppola*
Musical Assistance [Music Production Assistance], Recorded By [Percussion Recording] – Airto Moreira, Michael Hinton
Painting [Album Cover Painting] – Bob Peak (2)
Percussion [Percussion Based Score] – Mickey Hart
Performer [Performed With The Rhythm Devils] – Billy Kreutzmann*, Greg Errico, Jim Loveless, Jordan Amarantha, Phil Lesh, The Rhythm Devils, Zakir Hussain
Photography By [Still Photography] – Chas Gerretsen, Josh Weiner (2)
Producer [Disc Producer] – David Rubinson
Producer [Music For The Film Produced By] – David Rubinson
Producer [Music For This Album Produced By] – Richard Beggs
Producer [Production Assistant], Recorded By [Percussion Recording] – Gian-Carlo Coppola
Production Manager [Production Designer] – Dean Tavoularis
Recorded By [Re-Recordist] – Dale Strumpell, Mark Berger (8), Richard Beggs, Thomas Scott (5), Walter Murch
Score Editor [Music Editor] – Stan Witt
Sound Designer [Sound Montage And Design] – Walter Murch
Synthesizer [Master Synthesist] – Patrick Gleeson
Synthesizer [Synthesist Assisted By, EVI Soloist] – Shirley Walker
Synthesizer [Synthesist Assisted By] – Andy Narell, Don Preston, Nyle Steiner
Synthesizer [Synthesist] – Bernard L. Krause*, Richard Beggs
Vocals – Henrietta Davis, Jeannie Tracy*, Sheila Ellis
Vocals [Gospel Singer] – Henrietta Davis, Jeannie Tracy*, Sheila Ellis
Notes
This version has light blue labels with a butterfly and no barcode.

On back cover:
℗ & © 1979 Omni Zoetrope.
Made in Germany by WEA Musik GmbH [“W” logo] A Warner Communications Company.

Embossed “W”

On labels:
℗ 1979 Omni Zoetrope.
Made In Germany By WEA Musik GmbH [“W” logo] A Warner Communications Company
Barcode and Other Identifiers
Label Code: LC 0192
Price Code (Germany): Ⓤ
Price Code (France): WE 351
Rights Society (Boxed): GEMA
Other (On back cover & inner sleeve): (EF-7084)
Matrix / Runout (Side A, etched): WEA -52212-A-x PF
Matrix / Runout (Side B, etched): WEA -52212-B-x PF

Piotr 'Mittloff' Kozieradzki

Fort Wola 22, 01-258 Warszawa

501 267 857

bok@vintagevinyl.pl

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